marlasweitzer: Richard Diebenkorn’s Ocean Park #79 “He would scrape away, paint some more. He would focus on one area and decide he would move onto another and destroy something he had worked on for quite a while because he felt like he was treating it too preciously and he identified it as just wanting to get everything right. Everything right. Light, color, space, volume, the whole composition. But he wasn’t afraid to show the mistakes.” - Sarah Bancroft, curator at Orange County Museum of Art.
parliecharker: “Interior With Book”, by Richard Diebenkorn
Post-War and Contemporary Art Auction: Christie’s May 8th and 9th Sale of Post-War and Contemporary Art will present an unprecedented grouping of collections and icons, many of which have not been seen outside of museum exhibitions for several decades. The sale includes supreme examples of works by Abstract Expressionist masters, such as Willem de Kooning, as well as classic Pop works by Andy Warhol. “Berkeley #59,” 1955, by Richard Diebenkorn. From the collection of Evelyn D. Haas. This piece will the sale at the auction at Christie’s Auction House in New York…
Richard Diebenkorn. 
les-chimeres: Henri Matisse, Le Bocal aux poissons rouges (détail), printemps 1914 
coveleski: Matisse 
mapetitemelancoly: Matisse- illustrations for “Pasiphae”, d’Henri de Montherlant, 1944,
arthistoryx: Male Model, 1900Henri Matisse noladocvic7 answered your question: Henri Matisse 
nightsession: Henri Matisse - View Of Notre Dame 1914
Francisco Goya. Folly of Fear. Etching and Aquatint.
belacqui: Henri Matisse, La Musique (1939)
fckyeaharthistory: Henri Matisse - Young Student, 1952. Aquatint on paper
mariadoroteaj: Icarus. Matisse
gladsdotter: Henri Matisse, Tree, 1951. Ink, gouache, and charcoal on paper mounted to canvas.